Marnie at MetOpera

Last night, Halloween 2018, I decided to change the scenery and attend a new opera, entitled Marnie. I wanted to experience an institution’s version of a modern day commissioned work and what better way to do this by attending New York City’s own Metropolitan Opera. More specifically looking into the the production, reception and in general what a commission work means in today’s highly bombarded information age. Continue reading “Marnie at MetOpera”